“Like a David Lynch film itself, Miley’s book is frequently unexpected, sometimes startling, wholly absorbing, and a superb testament to the virtues of lateral thinking.”
—Michael Brooke, Sight and Sound
“Miley puts David Lynch’s films in conversation with literature and music, forging thrilling and unexpected connections—between Eraserhead and ‘The Yellow Wallpaper,’ Inland Empire and ‘mixtape aesthetics,’ Lynch and the work of Cormac McCarthy. Lynch devotees should run, not walk.”
—Sophia M. Stewart, The Millions
“In David Lynch's American Dreamscape, Mike Miley presents a fascinating new approach to Lynch's films, treating their intertextuality in a way that expands rather than restricts our understanding of them. Miley adroitly connects literary, filmic, and musicological perspectives in an analytical approach that will prove invaluable and accessible to scholars from many fields in their study of Lynch, one of our most idiosyncratic American filmmakers. Following Lynch himself, Miley's book gives us more 'room to dream' around the filmmaker's work.”
―Katherine M. Reed, Associate Professor of Musicology, California State University, Fullerton, USA, and co-editor of Music in Twin Peaks: Listen to the Sounds (2021)
“… this academic work exploring Lynch’s influences in cinema, music and literature will offer some solace and insights to film nerds who vibed with Lynch’s uniquely off-kilter, dreamlike cinematic vision.”
—Paul Constant, Seattle Times
“Miley demonstrates the strange and powerful way Lynch tapped into the human experience and the broader American pop landscape.”
—Jason Woodbury, Aquarium Drunkard
One of The Millions’ Most Anticipated Books of Winter 2025
LA Times’ 10 Books to Read in February
How are David Lynch's films as much in dialogue with literary and musical traditions as they are cinematic ones?
By interrogating this question, David Lynch's American Dreamscape broadens the interpretive horizons of Lynch's filmography, calling for a new approach to Lynch's films that goes beyond cinema and visual art to explore how Lynch's work engages with literary and musical works that have shaped the American imagination. As much as Lynch stands as a singular artistic voice, his work arises from and taps into the cultural zeitgeist in a way that illuminates not only his approach to creativity but also the way works interact with each other in an age of mass media. From children's literature to teen tragedy ballads, Nathanael West and Cormac McCarthy to folk music and mixtapes, David Lynch's American Dreamscape investigates the cultural frequencies Lynch's films tune into and positions Lynch's work as a conduit for American popular culture, a medium or channel through which the subconscious of American life finds its way into full view.
The book expands upon this approach by discussing how artists such as David Foster Wallace and Lana Del Rey graft Lynch's affiliative, cinematic sensibility onto their own projects. Reading their work as intertextual engagements with Lynch's films further illustrates the versatile interactions among creators and audiences to generate more works, readers, and readings.
Additional Press:
The London Review of Books
The Hollywood Reporter
Vogue
Criterion’s The Daily
Aquarium Drunkard
Daily Dead
Antigravity
KZUM’s Polley Music Library
The Daily Advertiser
Although nearly every other television form or genre has undergone a massive critical and popular reassessment or resurgence in the past twenty years, the game show’s reputation has remained both remarkably stagnant and remarkably low. Scholarship on game shows concerns itself primarily with the history and aesthetics of the form, and few works assess the influence the format has had on American society or how the aesthetics and rhythms of contemporary life model themselves on the aesthetics and rhythms of game shows.
In Truth and Consequences: Game Shows in Fiction and Film, author Mike Miley seeks to broaden the conversation about game shows by studying how they are represented in fiction and film. Writers and filmmakers find the game show to be the ideal metaphor for life in a media-saturated era, from selfhood to love to family to state power. The book is divided into “rounds,” each chapter looking at different themes that books and movies explore via the game show.
By studying over two dozen works of fiction and film―bestsellers, blockbusters, disasters, modern legends, forgotten gems, award winners, self-published curios, and everything in between―Truth and Consequences argues that game shows offer a deeper understanding of modern-day America, a land of high-stakes spectacle where a game-show host can become president of the United States.
Purchase from University Press of Mississippi
Much like his novels, Steve Erickson (b. 1950) exists on the periphery of our perception, a shadow figure lurking on the margins, threatening to break through, but never fully emerging. Despite receiving prestigious honors, Erickson has remained a subterranean literary figure, receiving effusive praise from his fans, befuddled or cautious assessments from reviewers, and scant scholarly attention. Erickson’s obscurity comes in part from the difficulty of categorizing his work within current trends in fiction, and in part from the wide variety of concerns that populate his writing: literature, music, film, politics, history, time, and his fascination with his home city of Los Angeles. His dream-fueled blend of European modernism, American pulp, and paranoid late-century postmodernism makes him essential to an appreciation of the last forty years of American fiction but difficult to classify neatly within that same realm. He is at once thoroughly of his time and distinctly outside it.
In these twenty-four interviews Erickson clarifies how his aesthetic and political visions are inextricable from each other. He diagnoses the American condition since World War II, only to reveal that America’s triumphs and failures have been consistent since its inception—and that he presciently described decades ago certain features of our present. Additionally, the interviews expose the remarkable consistency of Erickson’s vision over time while simultaneously capturing the new threads that appear in his later fiction as they emerge in his thought. Conversations with Steve Erickson will deepen readers’ understanding of how Erickson’s books work—and why this utterly singular writer deserves greater attention.
Purchase from The University Press of Mississippi
Purchase from Barnes and Noble
A list of lectures, talks, and media appearances by Mike Miley
Mike speaks to Vogue about David Lynch’s work and legacy.
The Hollywood Reporter spoke with Mike about his book and David Lynch’s legacy.
Mike appears as a “game show expert” in the 2023 documentary.
Moderator, New Orleans Film Festival, 2017
Mike came onto John Bleasdale’s podcast to talk about David Lynch.
Mike appeared on Jim Jefferies’ podcast to quiz him about game shows.
Mike spoke with David Rosen about the films inspired by David Lynch.
Mike goes deep into David Lynch’s American Dreamscape in a two-part conversation with Joel Bocko.
Mike spoke with Stereoactive Media about David Lynch’s work and legacy.
Mike talks about David Lynch’s American Dreamscape with Cameron Clouthier
Mike talks to Pete Kunze at the New Books Network about David Lynch’s American Dreamscape.
Mike talks with David Lipson about David Lynch’s American Dreamscape and his unique path in academia.
Mike spoke about episode 5 of The Return.
Mike talks about Mulholland Dr. (2001)
Mike spoke to Rayne Nielsen about David Lynch.
Mike talks to Jen about Dennis Hopper’s performances in The American Friend and Rumble Fish. (May 2023)
Mike is interviewed by Luke Winkie for an essay in Slate. (April 2023)
Mike and Matt Luter interview Steve Erickson
Mike discusses Truth and Consequences on the New Books Network podcast.
Mike discussed David Lynch’s adaptation of Dune on the Green Screen Podcast on November 11, 2020
Lecture, New Orleans Film Festival, 2018
Lecture, New Orleans French Film Festival, 2016
Films and video essays by Mike Miley
A video essay produced in 2011 for Moving Image Source.
A short film produced in 2004 for Esquire Magazine’s Celluloid Style Competition.
Based on the short story by George Saunders.
Written for the screen and directed by Mike Miley.
A short film produced in 2001.
Based on the short story by Valerie Martin.
Written for the screen and directed by Mike Miley.
A short film produced in 2003.
Based on the short story by Tim Gautreaux.
Written for the screen and directed by Mike Miley.
